Special Price €1600.00
Watercolour on 100% cotton acid-free paper. Measures 55 x 75 cm
The man who is traveling and does not yet know the city awaiting him along his route wonders what the palace will be like, the barracks, the mill, the theatre, the bazaar. In every city of the empire every building is different and set in a different order: but as soon as the stranger arrives at the unknown city and his eye penetrates the pine cone of pagodas and garrets and haymows, following the scrawl of canals, gardens, rubbish heaps, he immediately distinguishes which are the princes' palaces, the high priests' temples, the tavern, the prison, the slum. This -- some say -- confirms the hypothesis that each man bears in his mind a city made only of differences, a city without figures and without form, and the individual cities fill it up.
This is not true of Zoe. In every point of this city you can, in turn, sleep, make tools, cook, accumulate gold, disrobe, reign, sell, question oracles. Any one of its pyramid roofs could cover the leprosarium or the odalisques' baths. The traveller roams all around and has nothing but doubts: he is unable to distinguish the features of the city, the features he keeps distinct in his mind also mingle. He infers this: if existence in all its moments is all of itself, Zoe is the place of indivisible existence. But why, then, does the city exist? What line separates the inside from the outside, the rumble of wheels from the howl of wolves?
This watercolor was created in 2021 during lockdown.
In calvino's Zoe, the traveller roams around and has nothing but doubts and he is unable to distinguish the features of the city: any one of its pyramid roofs could cover the leprosarium as well as the odalisques' baths and each of the features the traveller keeps distinct in his mind also mingle.
This is probably the best story based on expectations. You think you know and understand what you see but the fact is that you are just led to be confused.